Mrs.
Robinson (3:52)
(From the motion picture The Graduate)
P. Simon, 1968
Released on Bookends
We'd like to know a little bit about
you for our files
We'd like to help you learn to help
yourself
Look around you, all you see are
sympathetic eyes
Stroll around the grounds until you
feel at home
And here's to you, Mrs. Robinson
Jesus loves you more than you will
know, wo wo wo
God bless you please, Mrs. Robinson
Heaven holds a place for those who
pray, hey hey hey
Hey hey hey
Hide it in a hiding place where no
one ever goes
Put it in your pantry with your cupcakes
It's a little secret, it's just the
Robinsons' affair
Most of all you've got to hide it
from the kids
Coo coo ca-choo, Mrs. Robinson
Jesus loves you more than you will
know, wo wo wo
God bless you please, Mrs. Robinson
Heaven holds a place for those who
pray, hey hey hey
Hey hey hey
Sitting on a sofa on a Sunday fternoon
Going to the candidate's debate
Laugh about it, shout about it
When you've got to choose
Every way you look at it you lose
Where have you gone, Joe DiMaggio?
Our nation turns its lonely eyes
to you, woo woo woo
What's that you say, Mrs. Robinson?
Joltin' Joe has left and gone away,
hey hey hey
Hey hey hey
Homeward
Bound (4:22)
P. Simon, 1966
Released on Parsley,
Sage, Rosemary, and Thyme
(On the Australian release, this
is the studio version.)
I'm sittin' in the railway station
Got a ticket for my destination,
mmm
On a tour of one night stands
My suitcase and guitar in hand
And every stop is neatly planned
For a poet and a one-man band
Homeward Bound, I wish I was
Homeward Bound
Home, where my thought's escaping
Home, where my music's playing
Home, where my love lies waiting
Silently for me
Every day's an endless stream
Of cigarettes and magazines
And each town looks the same to me
The movies and the factories
And every stranger's face I see
Reminds me that I long to be
Homeward Bound, I wish I was
Homeward Bound
Home, where my thought's escaping
Home, where my music's playing
Home, where my love lies waiting
Silently for me
Tonight I'll sing my songs again
I'll play the game and pretend
But all my words come back to me
In shades of mediocrity
Like emptiness in harmony
I need someone to comfort me
Homeward Bound, I wish I was
Homeward Bound
Home, where my thought's escaping
Home, where my music's playing
Home, where my love lies waiting
Silently for me
Homeward Bound, I wish I was
Homeward Bound
Home, where my thought's escaping
Home, where my music's playing
Home, where my love lies waiting
Silently for me
Silently for me
America
(4:57)
P. Simon, 1968
Released on Bookends
"Let us be lovers, we'll marry our
fortunes together
I've got some real estate here in
my bag"
So we bought a pack of cigarettes
and Mrs. Wagner pies
And walked off to look for America
"Kathy," I said as we boarded a Greyhound
in Pittsburgh
"Michigan seems like a dream to me
now"
It took me four days to hitchhike
from Saginaw
I've come to look for America
Laughing on the bus
Playing games with the faces
She said the man in the gabardine
suit was a spy
I said "Be careful, his bowtie is
really a camera"
"Toss me a cigarette, I think there's
one in my raincoat"
"We smoked the last one an hour ago"
So I looked at the scenery, she read
her magazine
And the moon rose over an open field
"Kathy, I'm lost," I said, though
I knew she was sleeping
"I'm empty and I'm aching and I don't
know why"
Counting the cars on the New Jersey
Turnpike
They've all come to look for America
All come to look for America
Counting the cars on the New Jersey
Turnpike
They've all come to look for America
All come to look for America
All come to look for America
Me
And Julio Down By The Schoolyard (3:22)
P. Simon, 1971
The mama pajama rolled out of bed
She ran to the police station
When the papa found out, he began
to shout
And he started the investigation
And it's against the law, it was against
the law
What the mama saw, it was against
the law
The mama looked down and spit on the
ground
Every time my name gets mentioned
The papa said, "Oy, if I get that
boy
I'm gonna stick him in the house
of detention"
Well, I'm on my way
I don't know where I'm going
I'm on my way
I'm taking my time but I don't know
where
Goodbye to Rosie, the Queen of Corona
See you, me and Julio down by the
schoolyard
See you, me and Julio down by the
schoolyard
In a couple of days they come and
take me away
But the press let the story leak
Now when the radical priest came
to get me released
We was all on the cover of Newsweek
And I'm on my way
I don't know where I'm going
But I'm on my way
I'm taking my time but I don't know
where
Goodbye to Rosie, the Queen of Corona
See you, me and Julio down by the
schoolyard
See you, me and Julio down by the
schoolyard
See you, me and Julio down by the
schoolyard
Scarborough
Fair (3:52)
Read the song on which this is based!
P. Simon/A. Garfunkel, 1966
Released on Parsley,
Sage, Rosemary, and Thyme
Are you going to Scarborough Fair?
Parsley, sage, rosemary, and thyme
Remember me to one who lives there
She once was a true love of mine
Tell her to make me a cambric shirt
Parsley, sage, rosemary, and thyme
Without no seam nor needlework
Then she'll be a true love of mine
Tell her to find me an acre of land
Parsley, sage, rosemary, and thyme
Between the salt water and the sea
strand
Then she'll be a true love of mine
Tell her to reap it in a sickle of
leather
Parsley, sage, rosemary, and thyme
And to gather it all in a bunch of
heather
Then she'll be a true love of mine
Are you going to Scarborough Fair?
Parsley, sage, rosemary, and thyme
Remember me to one who lives there
She once was a true love of mine
April
Come She Will (2:37)
P. Simon, 1965
Released on Sounds
of Silence
April come she will
When streams are ripe and swelled
with rain
May, she will stay
Resting in my arms again
June, she'll change her tune
In restless walks she'll prowl the
night
July, she will fly
And give no warning to her flight
August, die she must
The autumn winds blow chilly and
cold
September I'll remember
A love once new has now grown old
Wake
Up Little Susie (2:19)
F. Bryant/B. Bryant, 1957
Wake up, little Susie, wake up
Wake up, little Susie, wake up
We both fell sound asleep
Wake up, little Susie, and weep
The movie's over, it's four o'clock,
and we're in trouble deep
Wake up, little Susie
Wake up, little Susie
Well, what are we gonna tell your
Mama?
What are we gonna tell your Pop?
What are we gonna tell our friends
when they say "Ooh la la"?
Wake up, little Susie
Wake up, little Susie
Well, I told your Mama that you'd
be in by ten
Well, Susie baby, looks like we goofed
again
Wake up, little Susie
Wake up, little Susie
We gotta go home
Wake up, little Susie, wake up
Wake up, little Susie, wake up
The movie wasn't so hot
It didn't have much of a plot
We fell asleep, our goose is cooked,
our reputation is shot
Wake up, little Susie
Wake up, little Susie
Well, what are we gonna tell your
Mama?
What are we gonna tell your Pop?
What are we gonna tell our friends
when they say "Ooh la la"?
Wake up, little Susie
Wake up, little Susie
Wake up, little Susie
Still
Crazy After All These Years (3:55)
P. Simon, 1974
I met my old lover on the street last
night
She seemed so glad to see me; I just
smiled
And we talked about some old times
and we drank ourselves some beer
Still crazy after all these years
Still crazy after all these years
I'm not the kind of man who tends
to socialize
I seem to lean on old familiar ways
And I ain't no fool for love songs
that whisper in my ears
Still crazy after all these years
Still crazy after all these years
Four in the morning, tapped out, yawning
Longing my life away
I'll never worry; why should I?
It's all gonna fade
Now I sit by my window and I watch
the cars go by
I fear I'll do some damage one fine
day
But I would not be convicted by a
jury of my peers
Still crazy after all these years
Still crazy, still crazy
Still crazy after all these years
American
Tune (4:33)
P. Simon, 1973
Many's the time I've been mistaken
And many times confused
Yes, and I've often felt forsaken
and certainly misused
Ah, but I'm all right, I'm all right
I'm just weary to my bones
Still, you don't expect to be bright
and bon vivant
So far away from home
So far away from home
And I don't know a soul who's not
been battered,
I don't have a friend who feels at
ease
I don't know a dream that's not been
shattered or driven to its knees
But it's all right, it's all right
For we lived so well so long
Still, when I think of the road we're
traveling on
I wonder what's gone wrong
I can't help it, I wonder what's
gone wrong
And I dreamed I was dying
I dreamed that my soul rose unexpectedly
And looking back down at me
Smiled reassuringly
And I dreamed I was flying
And high up above, my eyes could
clearly see
The Statue of Liberty
Sailing away to sea
And I dreamed I was flying
We come on the ship they call the
Mayflower
We come on the ship that sailed the
moon
We come in the age's most uncertain
hours and sing an American tune
But it's all right, it's all right,
it's all right
You can't be forever blessed
Still, tomorrow's going to be another
working day
And I'm trying to get some rest
That's all, I'm trying to get some
rest
Late
In The Evening (4:09)
P. Simon, 1978
The first thing I remember I was lying
in my bed
I couldn't have been no more than
one or two
I remember there's a radio comin'
from the room next door
And my mother laughed the way some
ladies do
Well, it's late in the evening and
all the music's seeping through
The next thing I remember I am walking
down the street
I'm feeling all right, I'm with my
boys, I'm with my troops, yeah
And down along the avenue some guys
were shootin' pool
And I heard the sound of a cappella
groups, yeah
Singing late in the evening, and
all the girls out on the stoops, yeah
Then I learned to play some lead guitar,
I was underage in this funky bar
And I stepped outside to smoke myself
a J
And when I came back to the room,
everybody just seemed to move
And I turned my amp up loud and I
began to play
And it was late in the evening, and
I blew that room away
The first thing I remember when you
came into my life
I said I'm gonna get that girl no
matter what I do
Well, I guess I'd been in love before,
and once or twice I been on the floor
But I never loved no one the way
that I loved you
And it was late in the evening and
all the music's seeping through
The first thing I remember when you
came into my life
I said I'm gonna get that girl no
matter what I do
Well, I guess I'd been in love before,
and once or twice I been on the floor
But I never loved no one the way
that I loved you
And it was late in the evening and
all the music's seeping through
Slip
Slidin' Away (4:54)
P. Simon, 1977
Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away
I know a man, he came from my home
town
He wore his passion for his woman
like a thorny crown
He said "Delores, I live in fear
My love for you is so overpowering
I'm afraid that I will disappear"
Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away
I know a woman, became a wife
These are the very words she uses
to describe her life
She said "A good day ain't got not
rain"
She said "A bad day's when I lie
in bed
And I think of things that might
have been"
Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away
And I know a father who had a son
He longed to tell him all the reasons
for the things he had done
He came a long way just to explain
He kissed his boy as he lay sleeping
Then he turned around and he headed
home again
Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away
God only knows, God makes his plan
The information's unavailable to
the mortal man
We're working our jobs, collect our
pay
Believe we're gliding down the highway
When in fact we're slip slidin' away
Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away
Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away
A
Heart In New York (2:49)
B. Gallagher/G. Lyle, 1977
New York -- to that tall skyline I
come
Flyin' in from London to your door
New York -- lookin' down on Central
Park
Where they say you should not wander
after dark
New York -- like a scene from all
those movies
But you're real enough to me, for
there's a heart
A heart that lives in New York
A heart in New York arose on the street
I write my song to that city heartbeat
A heart in New York -- the love in
her eyes
An open door and a friend for the
night
New York -- you got money on your
mind
And my words won't make a dime's
worth of difference
So here's to you, New York
Kodachrome/Maybellene
(5:51)
P. Simon, 1973/C. Berry, R. Fratto,
and A. Freed, 1955
(On the U.S. version, these songs
are on one track together; on the import version, they are two consecutive
tracks.)
When I think
back on all the crap I learned in high school
It's a wonder I can think at all
And though my lack of education hasn't
hurt me none
I can read the writing on the wall
Kodachrome
They give us those nice bright colors
They give us the greens of summers
Makes you think all the world's a
sunny day, oh yeah
I got a Nikon camera
I love to take a photograph
So Mama don't take my Kodachrome
away
If you took all the girls I knew when
I was single
And brought them all together for
one night
I know they'd never match my sweet
imagination
Everything looks better in black
and white
Kodachrome
They give us those nice bright colors
They give us the greens of summers
Makes you think all the world's a
sunny day, oh yeah
I got a Nikon camera
I love to take a photograph
So Mama don't take my Kodachrome
away
Mama don't take my Kodachrome away
Mama don't take my Kodachrome away
Mama don't take my Kodachrome away
Mama don't take my Kodachrome
Mama don't take my Kodachrome
Mama don't take my Kodachrome away
Mama don't take my Kodachrome
Leave your boy so far from home
Mama don't take my Kodachrome away
Mama don't take my Kodachrome
Mama don't take my Kodachrome away
Maybellene,
why can't you be true?
Oh, Maybellene, why can't you be
true?
You've started back doing those things
you used to do
As I was motorvatin' over the hill
I saw Maybellene in a Coup de Ville
A Cadillac rollin' on the open road
But nothing will outrace my V8 Ford
The Cadillac doin' 'bout ninety-five
Bumper to bumper and side by side
Maybellene, why can't you be true?
Oh, Maybellene, why can't you be
true?
You've started back doing those things
you used to do
The heat cooled down, the motor cooled
down
That's when I heard that highway
sound
The Cadillac sittin' like a ton of
lead
Hundred and ten half a mile ahead
The Cadillac lookin' like it's standin'
still
And I caught Maybellene at the top
of the hill
Maybellene, why can't you be true?
Oh, Maybellene, why can't you be
true?
You've started back doing those things
you used to do
Maybellene, why can't you be true?
Oh, Maybellene, why can't you be
true?
You've started back doing those things
you used to do
Bridge
Over Troubled Water (4:48)
P. Simon, 1969
Released on Bridge
Over Troubled Water
(On the Australian release, this
is the studio version.)
When you're weary
Feeling small
When tears are in your eyes
I will dry them all
I'm on your side
When times get rough
And friends just can't be found
Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down
When you're down and out
When you're on the street
When evening falls so hard
I will comfort you
I'll take your part
When darkness comes
And pain is all around
Like a bridge over troubled water
I will ease your mind
Like a bridge over troubled water
I will ease your mind
Sail on silver girl
Sail on by
Your time has come to shine
All your dreams are on their way
See how they shine
If you need a friend
I'm sailing right behind
Like a bridge over troubled water
I will ease your mind
Like a bridge over troubled water
I will ease your mind
Fifty
Ways To Leave Your Lover (4:23)
P. Simon, 1975
"The problem is all inside your head,"
she said to me
"The answer is easy if you take it
logically
I'd like to help you in your struggle
to be free
There must be fifty ways to leave
your lover"
She said "It's really not my habit
to intrude
Furthermore, I hope my meaning won't
be lost or misconstrued
So I'll repeat myself, at the risk
of being crude
There must be fifty ways to leave
your lover
Fifty ways to leave your lover"
Just slip out the back, Jack
Make a new plan, Stan
Don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
Don't need to discuss much
Just drop off the key, Lee
And get yourself free
Just slip out the back, Jack
Make a new plan, Stan
Don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
Don't need to discuss much
Just drop off the key, Lee
And get yourself free
She said, "It grieves me so to see
you in such pain
I wish there was something I could
do to make you smile again"
I said, "I appreciate that, and would
you please explain
About the fifty ways?"
She said, "Why don't we both just
sleep on it tonight?
And I believe that in the morning
you'll begin to see the light"
And then she kissed me, and I realized
she probably was right
There must be fifty ways to leave
your lover
Fifty ways to leave your lover
Just slip out the back, Jack
Make a new plan, Stan
Don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
Don't need to discuss much
Just drop off the key, Lee
And get yourself free
Just slip out the back, Jack
Make a new plan, Stan
Don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
Don't need to discuss much
Just drop off the key, Lee
And get yourself free
The
Boxer (6:02)
P. Simon, 1968
Released on Bridge
Over Troubled Water
I am just a poor boy
Though my story's seldom told
I have squandered my resistance
For a pocketful of mumbles
Such are promises
All lies and jests
Still a man hears what he wants to
hear
And disregards the rest
When I left my home and my family
I was no more than a boy
In the company of strangers
In the quiet of the railway station
Running scared
Laying low, seeking out the poorer
quarters
Where the ragged people go
Looking for the places only they
would know
Lie la lie...
Asking only workman's wages
I come looking for a job
But I get no offers
Just a come-on from the whores on
Seventh Avenue
I do declare, there were times when
I was so lonesome
I took some comfort there
Now the years are rolling by me
They are rocking evenly
I am older than I once was
But younger than I'll be
That's not unusual
No, it isn't strange
After changes upon changes
We are more or less the same
After changes we are more or less
the same
Lie la lie...
Then I'm laying out my winter clothes
And wishing I was gone
Going home
Where the New York City winters aren't
bleeding me,
Leading me, going home.
In the clearing stands a boxer
And a fighter by his trade
And he carries the reminders
Of every glove that laid him down
Or cut him till he cried out
In his anger and his shame
"I am leaving, I am leaving"
But the fighter still remains
Yes, he still remains
Lie la lie...
Old
Friends/Bookends (2:52)
P. Simon, 1968
Released on Bookends
Old friends
Old friends
Sat on their park bench
Like bookends
A newspaper blown through the grass
Falls on the round toes
Of the high shoes
Of the old friends
Old friends
Winter companions
The old men
Lost in their overcoats
Waiting for the sun
The sounds of the city
Sifting through trees
Settles like dust
On the shoulders
Of the old friends
Can you imagine us years from today
Sharing a park bench quietly?
How terribly strange to be seventy
Old friends
Memory brushes the same years
Silently sharing the same fear...
Time it was, and what a time it was,
it was
A time of innocence, a time of confidences
Long ago, it must be, I have a photograph
Preserve your memories; they're all
that's left you
The
59th Street Bridge Song (Feelin' Groovy) (2:01)
P. Simon, 1966
Released on Parsley,
Sage, Rosemary, and Thyme
(On the Australian release, this
is the studio version.)
Slow down, you move too fast
You've got to make the morning last
Just kicking down the cobblestones
Looking for fun and feeling groovy
Ba da da da da da da, feeling groovy
Hello lampost, what'cha knowing
I've come to watch your flowers growin'
Ain'tcha got no rhymes for me
Doo-it in doo doo, feeling groovy
Ba da da da da da da, feeling groovy
I got no deeds to do
No promises to keep
I'm dappled and drowsy and ready
to sleep
Let the morningtime drop all its
petals on me
Life I love you, all is groovy
The
Sound Of Silence (4:14)
P. Simon, 1964
Released on Wednesday
Morning, 3 a.m. and Sounds Of Silence
Hello darkness, my old friend
I've come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in
my brain
Still remains
Within the sound of silence
In restless dreams I walked alone
Narrow streets of cobblestone
'Neath the halo of a street lamp
I turn my collar to the cold and
damp
When my eyes were stabbed by the
flash of a neon light
That split the night
And touched the sound of silence
And in the naked light I saw
Ten thousand people maybe more
People talking without speaking
People hearing without listening
People writing songs that voices
never shared
No one dared
Disturb the sound of silence
"Fools," said I, "you do not know
Silence like a cancer grows
Hear my words that I might teach
you
Take my arms that I might reach you"
But my words like silent raindrops
fell
And echoed in the wells of silence
And the people bowed and prayed
To the neon god they made
And the sign flashed its warning
In the words that it was forming
And the sign said "The words of the
prophets are written on the subway walls
And tenement halls
And whispered in the sound of silence"